For those of you who are unfamiliar with it (and/or don't speak Latin), let me talk you through it a little bit. It begins with a soaring cello line before the mezzo-soprano and tenor (sung here by a beardless-and-so-young-you-can't-even-recognize-him Pavarotti) enter together, invoking the name of "Lord Jesus Christ, King of Glory," as what follows during the whole rest of the movement is essentially one long prayer.
The bass enters at 1:16 delivering this text, which the mezzo and tenor echo:
Deliver the souls of all the faithful dead from the pains of hell and from the deep pit; Deliver them from the mouth of the lion;
That hell may not swallow them, and that they may not fall into darkness.
That trio is followed by one of the most glorious moments in all of classical music at 2:38, when the soprano (sung here by the great Leontyne Price, sounding spectacular as always) enters like an angel descending from on high. She holds a single note that magically floats above the violins before the note deliciously melts downward at 2:50. I'll pause for a second until your goosebumps pass. Ready? On that divine entrance she is holding out a single word: "but."
But may the holy standard-bearer Michael show them the holy light.
At 3:52, the bass states that the holy light mentioned above has been "promised to
Abraham and his descendants." This develops into a lively quartet, which dies down at about 4:44 to prepare us for the tenor's delicate and moving offering (hence the Italian title of the movement, "Offertorio"):
We offer to you, O Lord, sacrifices and prayers.
Receive them on behalf of those souls whom we commemorate today.
Grant, O Lord, that they might pass from death into that life
Like almost everything in the piece, this develops into a quartet and the other parts echo and add to what the tenor has said. The music from 3:52 returns again at 8:08, as the bass once again reminds us of the promises that the Lord has made to Abraham and his descendants.
At 9:15 the four soloists come together in unison to express the final plea of the prayer:
At 9:15 the four soloists come together in unison to express the final plea of the prayer:
Deliver the souls of all the faithful dead from the pains of hell;
Grant that they might pass from death into that life.
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Back when my Grandpa Tanner died in August, I wrote about how a section from the oratorio The Dream of Gerontius was often on my mind in the wake of his death. His death was peaceful and came without any protracted illness or build-up, and it seemed that he had been released from this life in order to, in the words of Gerontius, "go forth upon thy journey" back to "the Omnipotent Father who created thee." Although it was sudden, it was his time to go and our whole family was grateful that he did not have to suffer.
However, his death has left Grandma Tanner, 95 years old and married to my grandpa for 70 years, alone, and it has been very hard for her. She has continually asked, "Merlynn, why don't you come get me?" She had to move out of the home she and her husband built together in Payson, Utah to an assisted living facility in Bountiful, closer to several of her children. She enjoyed good health up until Christmas, but since then she has been rapidly declining. She spent a while in the hospital and has since been released into hospice care. She has been getting progressively weaker and weaker, and those around her feel that she is very close to death. She is in a lot of discomfort, and she has told several visitors in the past few days, "I never know that it took so long to die."
Like I said of Grandpa Tanner earlier, Grandma Tanner has lived a long, fulfilling, righteous life and has left a tremendous legacy of faith for her children, grandchildren, and great-grandchildren. I am so grateful that I have had so many opportunities to spend time with her throughout my life. I know that she is in Heavenly Father's hands now, and at the right moment He will bring her home to be with her husband and family again.
So like before, another piece of music that has been floating around
in my mind as I process another grandparent's death and mortality in general.
There is something about music that helps me connect to my feelings in a
much more direct way than words, and when I listen to the "Offertorio" my heart echoes the same prayer for my Grandmother in her final moments on earth:
Grant, O Lord, that [she] might pass from death into that life
Which you once promised to Abraham and his descendants.
Deliver [her] faithful soul from the pains of hell;
Grant that [she] might pass from death into that life.